Funeral Party for the Living

Funeral Party for the Living took place on January 1, 2011. It is one of several ritual projects I utilize in my art practice as an ongoing exercise to explore healing and death rituals. The audience participates in actions encouraging realizations of the brevity of life and aiding in connecting to the present.

Front of the 14 Pews church with mourning wreaths on the doors.

View from behind the desk of the "Eulogy Writing Deaconesses." During the visitation before the funeral, a eulogy writing service was available for attendees needing assistance or last minute advice.

The fashionably mournful.

A "Eulogy for Art" was read.

A brass band lead by Nick Cooper.


The back yard funeral pyre where participants said good-bye to such things as addictions, jobs, bras, lovers, and hemeroids, among other things.


The funeral food potluck included foods such as ambrosia salad, funeral pie, severed arm cake, cooper coins for the afterlife, and sweet funeral wine.

All images courtesy of 14 Pews.

Entwined

Entwined is a performance of hair giving. It was performed on November 19 (the Friday before Thanksgiving) with a group I have worked with as a Healing Artist for approximately a year and a half. To bound our relationship even tighter, I offered everyone in the group a lock of hair they could cut off and keep as a memento of me and a passing on of power.


Above: We are discussing Victorian traditions of hair saving, exchanging and hair work. In some cultures and stories the sharing of hair is a sharing of power. Hair is also significant as a part of the body which will not rot.


Reading 19th century sayings such as "when this lock of hair you do see, think of me."




Above: A selection is made from the nape of the neck.




Above: A participant gives me a lock of their hair.

Photography courtesy of Crystal Owens.

Funeral Food

Saturday, September 25 was the last day of labotanica's School of Latitudes. For the occasion, I prepared self-serve, pot-luck style funeral food (a.k.a. casseroles, cake) along with a wall of photographs from the Eulogy/Wake Workshop held privately for the latituders on Thursday, September 16. The wall was painted pink and had mirrors covered with a black cloth referencing my research into Victorian mourning rituals. Mirrors were covered to prevent the deceased's soul from becoming trapped in them and to prevent mourners from seeing their own reflections and possibly leading to their own demise.

ABOUT WAKE: Wake is an interactive performance project comprised of explorations of death rituals including the writing of (living) eulogies and hosting of (living) wakes. The mission of the project is to encourage participants to (but not limited to) review life through the contemplation of death and to connect to the present.

Living Eulogy/Wake Workshop with School of Latitudes

Hair that won’t rot even when I’m gone…objects that I can’t take with me yet I mourn when they are lost…comfort in funeral food…the writing of living eulogies to explore being alive…and planning living wakes of ritual, honor, celebration and wonder.

Wake is an interactive performance project comprised of explorations of death rituals including the writing of (living) eulogies and hosting of (living) wakes. The mission of the project is to encourage participants to (but not limited to) review life through the contemplation of death and to connect to the present.

On Thursday, September 16, eleven members of labotanica’s School of Latitudes participated in a private living eulogy workshop at the home of one of the latituders. Presented are images from that event…










For more information, or to participate in a Wake-related event, please contact Emily at emily@emilysloan.com

Wash Day

Wash is a performance about cleansing, ritual and intimacy. A full day at Gallery 1724 in Houston, Texas was devoted to the washing of hair including anointing with oils. There were twenty participants and numerous observers. It was a nicely paced day of washing and talking. During Wash, conversations included memories of September 11, 2001, memories of having their hair washed by their mothers, and the love and pampering of having their hair washed by someone else. We also discussed comparisons to foot washing and baptism, vulnerability, and the intimacy of touch, particularly to the head.

The performance was documented through photographs and sound.




Above photo courtesy of Dean Liscum and Sophie Simons.



Photos courtesy of: Heather Korb, Dean Liscum, Merilee Minshew, Sophie Simons, and Emily Sloan.

Floor before, with foils...
Floor after, foils with imprint from traffic...